composition: an infinite variety of possible syntheses

In all my compositions, I deliberately try to transform the opposing forces of contemporary music into a personal idiom. This idiom is often characterized by pulsating rhythms repeatedly crossed by ametric sonic situations. The harmony is mostly free-tonal, and it yet glides into atonality time and again. And if most intimate musical passages consistently feature in my orchestral pieces, my chamber music itself is often suffused with symphonic gesture.

chamber music – strings

Piano-Trio

Piano-Trio

for violin, cello & piano [2018/2019]

Straightforward

Straightforward

for string sextett [1994/2017]

K*tzbühel - a patriotic Tribute

K*tzbühel – a patriotic Tribute

for string quartet and accordion [2008]

Rhapsody I

Rhapsody I

Version for alt, violin & accordion [2002/03]

Rhapsody I & II

Rhapsody I & II

for soprano and viola d’amore [2002/03]

„Monumentum“ for H

„Monumentum“ for H

piano quintet [1998]

To Eurydice

To Eurydice

music for stringquartet [1981]

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