composition: an infinite variety of possible syntheses

In all my compositions, I deliberately try to transform the opposing forces of contemporary music into a personal idiom. This idiom is often characterized by pulsating rhythms repeatedly crossed by ametric sonic situations. The harmony is mostly free-tonal, and it yet glides into atonality time and again. And if most intimate musical passages consistently feature in my orchestral pieces, my chamber music itself is often suffused with symphonic gesture.

vocal works

Kafka-Fragmente

Kafka-Fragmente

for speaker, baritone, choir, orchestra and synthesizer [1983/84]
Messe nach Psalmentexten

Messe nach Psalmentexten

for mixed choir, small orchestra and organ ad lib. [1999/2011]
Messe nach Psalmentexten

Messe nach Psalmentexten

version for men's choir, 8 winds and organ [1999]
Messe nach Psalmentexten

Messe nach Psalmentexten

version for mixed choir, 8 winds and organ [2000]
Rhapsody I

Rhapsody I

Version for alt, violin & accordion [2002/03]
Rhapsody I & II

Rhapsody I & II

for soprano and viola d'amore [2002/03]
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