composition: an infinite variety of possible syntheses

In all my compositions, I deliberately try to transform the opposing forces of contemporary music into a personal idiom. This idiom is often characterized by pulsating rhythms repeatedly crossed by ametric sonic situations. The harmony is mostly free-tonal, and it yet glides into atonality time and again. And if most intimate musical passages consistently feature in my orchestral pieces, my chamber music itself is often suffused with symphonic gesture.

orchestral works

…luceat…

…luceat…

for small orchestra [2019]
Adieu

Adieu

for small orchestra [2004]
Earobics

Earobics

for orchestra [2000]
Kafka-Fragmente

Kafka-Fragmente

for speaker, baritone, choir, orchestra and synthesizer [1983/84]
Messe nach Psalmentexten

Messe nach Psalmentexten

for mixed choir, small orchestra and organ ad lib. [1999/2011]
To Eurydice

To Eurydice

version for string orchestra [1984]
In Nuce

In Nuce

for small orchestra [2008]
…more – or less?

…more – or less?

sketch for orchestra [2015]
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