composition: an infinite variety of possible syntheses

In all my compositions, I deliberately try to transform the opposing forces of contemporary music into a personal idiom. This idiom is often characterized by pulsating rhythms repeatedly crossed by ametric sonic situations. The harmony is mostly free-tonal, and it yet glides into atonality time and again. And if most intimate musical passages consistently feature in my orchestral pieces, my chamber music itself is often suffused with symphonic gesture.

works for ensemble

Interferences

Interferences

for solo clarinet and 15 players [1987/88]
Kabale und Liebe

Kabale und Liebe

Incidental music to Schiller's »Kabale und Liebe« [1985]
Peer Gynt

Peer Gynt

Incidental music to Ibsen's »Peer Gynt« [1985]
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