composition: an infinite variety of possible syntheses

In all my compositions, I deliberately try to transform the opposing forces of contemporary music into a personal idiom. This idiom is often characterized by pulsating rhythms repeatedly crossed by ametric sonic situations. The harmony is mostly free-tonal, and it yet glides into atonality time and again. And if most intimate musical passages consistently feature in my orchestral pieces, my chamber music itself is often suffused with symphonic gesture.

chamber music – wind instruments

Two Portraits

Two Portraits

for flute and harp [1992/2016]
Re-Cycle

Re-Cycle

for woodwind quintet [2011]
Mobile

Mobile

for flute quintet [2002]
De-Generation 2000

De-Generation 2000

for flute and guitar [2000]
Rotations

Rotations

for brass quintet [1992]
Tête-à-tête

Tête-à-tête

for two flutes [1984]
3 Aspects

3 Aspects

for brass quintet [1981/82]
Epilogue

Epilogue

for flute and piano [1982]
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